Andrea del Sarto's oil on panel, dating from 1525-28, displays a remarkably loose brushwork and a casual rendering. The wooden support lends a distinct texture to this portrait of Lucrezia, originally a component of a predella for an altarpiece near Florence. Her relaxed pose and soft contours create an intimate portrayal. Recent conservation work uncovered painted strapwork that once connected the individual portraits, with highlights at the bottom of the roundel mimicking the natural light of the church, creating the illusion of a three-dimensional setting. This piece would bring a touch of Renaissance elegance to a living room or a library.